This is the first of a new series on the Gelatin blog — The Onset. Short interviews with the people who actually make production sets work: digital techs, photographers, producers and everyone around them, like...

Most USB-C cables try to do data, power, and video all at once. For tethering a camera on a live shoot, that's the problem, not the feature. Here's why a dedicated data cable outperforms a...

People keep asking whether I'm making an AetherMount for the Slate 7 Pro. Before committing to a design, I wanted to work out whether it's the right router for on-set work at all — and...

Why I make what I make Everything I make, I make for the way I work. That's the whole thing. Every product in the Gelatin catalog exists because I hit a problem on set that...

A working digital tech’s first field report on the GL.iNet Mudi 7 — two full shoot days in Naples, 14-hour battery test, Sidecar vs Duet under load, and an honest look at why Capture One...

Part 2 of 2 — read Part 1 on DaVinci Resolve's new Photo page I'll be honest — before this week I had no idea what Affinity was. It wasn't on my radar, it hadn't...

Part 1 of 2 — read Part 2 on Capture One and Affinity Workflow DaVinci Resolve Now Has a Photo Mode. Here's What It Actually Means for On-Set Work. Blackmagic Design announced DaVinci Resolve 21...

If you've ever tried to show a client what you're seeing in Capture One while also keeping your workflow moving, you already know the problem. One screen isn't enough. The question is how you split...

The new Apple Studio Display (March 2026) brings Thunderbolt 5 and practical refinements aimed at real-world creative workflows. In this post we break down what changed, the Eizo vs Studio Display debate, and why a...